Poetry and Verse
By E.W. Benson
Here Now
no change could be the change missed,
then, when nothing was and nothing had.
shelter of sky is consistent, including its catastrophic impulse;
twist of ankle in flight, with ill-fitting sandals, is welcomed
as destinations blow in.
noon hides midnight and sunset cancels dawn.
from expected delay, there is mundane relief on the way to
repetition’s solace; fake achievement benefits from fog.
glances and relaxed lips invite conversation from inside,
stirring within the vacancy.
wheels and rock lay a path toward rest
while fabric and wood warm the approaching haven.
clouds dissipate, then coalesce, fooling the thought of safety.
concrete steps trick knees wanting safe ascent,
then falling brings comfort’s only permanent gloss.
2-11-2015
Words in Faces
(2014)
These poems are divided into three periods: 1967-1980; 1981-1995; 1995 to the present. Following this sampling is the complete collection as self-published on LuLu.com, (Sur)Renderings.
slink in, thought,
and curl by me
and I will pet you patronizingly
for I don’t care
what token for later you allow.
you always warm the bed
(1968)
-----------------
a solitary wooded walk by
the trees of memory sets the shape
of gently spoken truths
before my eyes.
a flower is lofted on a limb
there (sheltered by a careful leaf)
blooming to return the favor to
nature.
(we sit and love in the night under a street lamp moon.)
a carefully patterned sleep past
the dreams of my fault brings the shape
of softly molded smiles
before my eyes.
a kiss is planted on a cheek
there (carried by a thoughtful lip)
thrilling to convey the flavor of
belief
(vowing to return to day the same way.)
(ca. 1968)
i sat on the horizon
balanced on a wave
and looked into the gull’s flight plan within the mist.
one cheek warmed while its eye
winked hello to the yellow.
the eye in shadow stayed wide
but saw with borrowed light.
when I began to sink
the sun screamed so loud
that the mighty sea shied away
and then I walked
and the gull rode my wrist
smiling
at the flowers in my path.
(1968)
-----------------------
alone
when finger nails
file away silence
and the face
under mine
smiles without its eyes
walled out voices
climb over and stir my bed
where I stare in fear of dreams that die
alone
when energy sleeps
and I roll in tears
from eyes that see
one face seldom twice
all I have
is this night
and its mare
and
that maybe sunrise
(1968)
-------------------------------
a sea of red
upside down
rode high midst a purple sky
and followed the
brightness
who sought
refuge behind a valley.
failing,
the sea
soon lost his
color and became again
ordinary,
waiting
for the chance
that comes again with tomorrow’s sunset
(1968)
pastel swirls of people
moving and breathing
about each others dreams
and
smiles floating in a wet, listless lilt
green beginnings basking in
age’s grimace
while
some nice lady
blows the dice.
heave ho, artless
acne hackneys.
Death is the best tipper.
(1968)
-----------------------
years dead
dream
reels
in
under stupor
of antiquity’s booze,
sings up downtown and
whales (the blues)
the iron-poor
fired blood flowing
backward in
vein
and they die as
any bum in Paris:
updown-side, drowned
in
Seine
(1968)
a fat duck
waddled through the branches
of moonbeam
and made his way to a stopping place
on an asteroid.
he rested till a comet tickled him
with its tail
then took to the emptiness
again
and flew to the land of the rising
song
and lived after her
ever
happily.
(1969)
----------------------
(a poem or a lifetime
a shade or a color)
a permanent fixture of the face
looks through today’s glass
(a day or a lifetime
a shade or a tree)
a lively limb of the body
stretches to hold tomorrow
(a lifetime or a birth
a tree or a seedling)
a simple breath of the night
warms our common neck.
(all
baby
all)
(1969)
-----------------------------
in waiting for the night to come
i will to do a thing
of loving, i guess
for loving i do.
in settling for a time to wait
i save to say a thing
of giving, i guess
and lying on my waiting day
i stay
to keep
a place for giving loving
i do
to you
(1969)
-------------------------
this is a poem about love:
open your eyes
(and smile)
and legs
darlingness
and
wide your mouth
kiss
white
quiet
arm my hand
and
hand my neck
and
body yourself
around my sleep
(shhhhh)
(1969)
that silly, misery-made mask
enters and bows as love
and exits stepping on hearts
and we who lie in his path
can’t reach that false thing
hiding an ectasy we sometimes forget to believe in.
but he’s going to take one
curtain call too many once
and bow too low.
then
i’m gonna make you love me
yes I will
yes I will
(1968)
In a Room
In a room of life
And wall and brick and glass and shade
By a street of time
And curb and stripe and lamp and sound
For a pair of us
And on and with and now and soon
(2004)
Storming
The day before we hail its rage,
Praise its power.
Then we let drift the boat of our escape,
To stay and to end in triumph.
And let the wind shove us inward,
Into brave skin
Devoid of fear, and tough.
The storm comes and we are victorious.
We celebrate, swagger and begin again.
Bring back the rain,
Let go the calm,
Let slack the rope of this,
Yes this, the ripping thing.
Don’t go.
Bring out the next
And drink the one in hand.
And then the storm returns.
I must hold the spot below my feet, the better to dial the sun
When mist is gone, when waves subside, when grief begins.
(2005)
.
Child's Play
Rock shadow on church walls
Result of sun’s insistence
Clue of coming darkness
Cut of darkness on the walk
Cause of changing routes
Sign of losing ground
Bark piece on ground and grass
Chunk of right now
Piece of dying time
(Comes you to stroke the shadow, soak the sun, toss the bark
And sit me down to watch your play
And set me at my ease
fill my holding back)
Red hope shines back
And wades through rolling day
To safe and saving night
(2005)
Landing, Pennington County, MN
Patchwork of fields
Colored squares bounded by perfect lines of roads
Carved by rivers, decorated with lakes
Blank canvas
Where successive visionaries have released
Private renderings of the true world
As they would have it
In midnight light of summer
Or when ice crust pops under deer foot
Each flatland life is illustrated
Corrupted or exalted
By certainty
Summer late night scene
Glowing from horizon up, long after the red ball sinks––
Insistent light foments indolence but
Requires industry
In all who walk
On four legs
Or two
Rugged winter
Makes tough all but indoor play
While summer makes easy all but quitting in time for good rest––
Creatures clutch a bountiful, manic warm season
When sun refuses sleep
Dependable crops
Are now packed and sold or wrapped and saved
That inhabitants may surrender in peace to
Winter and its idiomatic
Isolation.
Moon and stars
Seen from within lakes in summer
Upon lakes in winter
Shadows a quarter mile in length
Whispers that carry three times as far
Ignite imagination and prick persistent memory
In those who land and stay.
(2004)
Young friend, old man––new death
A dearth of notice here
No Willy Loman friend, no Charlie
To pick up your name and hold it above memorial acquaintances
To make its sound match memory
Oh, don’t go far.
Don’t leave my picture of congenial possibility
In this time
(2005)
Planting
'Neath clouds of Sunday,
A season’s change undone,
To field, from none
Just now, no new thing answers yet.
From work of one day
The gift’s for us unknown,
Save what we’ve sown,
But, O, our living new crop’s set.
So digging that way,
The blade kept safe from use
In earth not loose,
On small worries sharpens now.
Yet, asked, one may say,
Herein there lies a ruse—
That we may choose.
But dig, is it in chance we plow?
(2004)
The Coming Generations
For those who could not sit still,
Whose small offering to posterity
Was buried beneath the glacier,
Between the mountains,
Before the running of the ice-blue fjord:
To them we lift salute
For choices that saved our lives,
Gave us home, and
Made us safe.
From where we could not see them,
Their inclination to prosperity
Lay dormant beyond an ocean,
Between the mountains
Before the running of the ice-blue fjord:
To them we lift salute
For chances they took for us,
Leaving home, and
Living hope.
(2005)
If Dylan’s Dad Could Talk
Return not, O death in night foretold.
Let sleep, let be,
Unhand the body here laid
Beneath this blanket of leaf and tear.
No power to thee;
No surge in power to stop this heart.
Be gone, stay gone,
Leave me.
Face God, and harken to his case for me.
No claw, no knife
Into my flagging soul strike,
Nor pierce the blanket of leaf and tear.
No power to thee;
No usurped power to stop this heart.
Be gone, stay gone,
Leave me.
(2005)
(Sur)Renderings
Why Not
Private expression, for me, turned serious and went public when poetry’s alternate forms were introduced to me by some excellent teachers. At age sixteen, trying to surprise one such mentor and some friends of mine, I disguised my work with a nom de plume and read it in a literary seminar, only to be exposed by one of the girls who knew damn well that I had written that set of morose, if faintly moving, lines.
Though I have not written enough, nor can I ever, the balm and elixir of doing even what I have done cannot be taken away. One would like to think that your reading of these lines could awaken some cathartic pursuit of your own.
Except when there is an important marker for the poem, I made a conscious decision to leave out the dates these were composed because that information may take the reader out of the moment. Anyway, here’s some stuff, and this is my real name.
Wade Benson
Introduction
Words that rhyme in simple time
or blank and full of thought;
They may report, or just cavort,
all emphasizing naught.
I’m calling up with empty cup
word flavors for our tongue.
I’ll toil awhile toward sweet and vile,
sure sated before long.
Oration
Full circle, quarter circle, half circle, knot,
Blank verse, universe, meandering plot,
Half truths, bull moose educated twat
with a drunken brained, stupid stream of consciousness sot
I’m saying you’re playing sans a full deck;
Won’t you give, don’t you give, even a speck
Of a damn, by a damn, for a damn heck,
with a heigh with a ho and a traveler’s cheque?
Invocation
Not saved by me but for me
unclaimed but not unknown
Oh, peace of truth unyielding
reframed and to us shown
Come near to us,
the fear in us remove.
Thus shamed of things unworthy
not pressed in forms of pride
Oh, peace of truth unyielding
reframed and to us shown,
Come near to us,
the fear in us remove.
Serene in time unending
yet pulled to Earth as flesh,
Oh, peace of truth unyielding,
unchanged, unkept, but known
Come near to us,
the fear in us remove.
All sleeping sound is wearing on in careful mews of kitten dawn
in waking silent, stalled and gone,
All quiet now, still quiet now.
Some singing now, some sinning then with tune and lie and verbal wend
t’ward making word of truth again,
All quiet now, still quiet now.
There is no wake or make to do when leaping hearts are speaking true.
Separation
First up, then down, in conscious movement made,
Her step unheard outside the room she left,
She could not mask the size of heart displayed.
Yet now, upon the sight of him bereft,
She cried within to say the thing she will.
On hearing her he lifted eyes away,
His hope in flight across the windowsill.
She stopped a word that tugged her tongue in play.
Each turned to seek the other’s top intent,
Instead to look beyond the gaze held back.
Then as she’d entered, thus she turned and went,
And he, not moving, planned for how he’d pack.
Their day was gone without a cause to keep,
The last before all hurt defeats all sleep.
Restoration
She rose to catch a glimpse of him in light
And peeked between the leaves of ficus there.
He stood beneath the wind chimes, touching night
That pulled the sun below the trees and air.
With lazy stealth she glided near his place.
Then feeling her and sensing scents she wore,
He turned to look and savor hands, then face.
He looked across her body, head to floor.
No arms outstretched, no gaze to match a smile,
She pushed her face into his shoulder, calm.
Now, leaning into her, he stood awhile.
The two in place, her fingers stroked his palm,
Then holding on, so wordlessly to own
The pair of them, each to the other known.
alone
when finger nails
file away silence
and the face
under mine
smiles without its eyes
walled out voices
climb over and stir my bed
where I stare in fear of dreams that die
alone
when energy sleeps
and I roll in tears
from eyes that see
one face seldom twice
all I have
is this night
and its mare
and
that maybe sunrise
a solitary wooded walk by
the trees of memory sets the shape
of gently spoken truths
before my eyes.
a flower is lofted on a limb
there (sheltered by a careful leaf)
blooming to return the favor to
nature.
(we sit and love in the night under a street lamp moon.)
a carefully patterned sleep past
the dreams of my fault brings the shape
of softly molded smiles
before my eyes.
a kiss is planted on a cheek
there (carried by a thoughtful lip)
thrilling to convey the flavor of
belief
(vowing to return to day the same way.)
slink in, thought,
and curl by me
and I will pet you patronizingly
for I don’t care
what token for later you allow.
you always warm the bed
i sat on the horizon
balanced on a wave
and looked into the gull’s flight plan within the mist.
one cheek warmed while its eye
winked hello to the yellow.
the eye in shadow stayed wide
but saw with borrowed light.
when I began to sink
the sun screamed so loud
that the mighty sea shied away
and then I walked
and the gull rode my wrist
smiling
at the flowers in my path.
a sea of red
upside down
rode high midst a purple sky
and followed the
brightness
who sought
refuge behind a valley.
failing,
the sea
soon lost his
color and became again
ordinary,
waiting
for the chance
that comes again with tomorrow’s sunset
pastel swirls of people
moving and breathing
about each others dreams
and
smiles floating in a wet, listless lilt
green beginnings basking in
age’s grimace
while
some nice lady
blows the dice.
heave ho, artless
acne hackneys.
Death is the best tipper.
years dead
dream
reels
in
under stupor
of antiquity’s booze,
sings up downtown and
whales (the blues)
the iron-poor
fired blood flowing
backward in
vein
and he dies as
any bum in Paris:
up-down-side, drowned
in
Seine
a fat duck
waddled through the branches
of moonbeam
and made his way to a stopping place
on an asteroid.
he rested till a comet tickled him
with its tail
then took to the emptiness
again
and flew to the land of the rising
song
and lived after her
ever
happily.
that silly, misery-made mask
enters and bows as love
and exits stepping on hearts
and we who lie in his path
can’t reach that false thing
hiding an ecstasy we sometimes forget to believe in.
but he’s going to take one
curtain call too many once
and bow too low.
then
i’m gonna make you love me
yes I will
yes I will
(a poem or a lifetime
a shade or a color)
a permanent fixture of the face
looks through today’s glass
(a day or a lifetime
a shade or a tree)
a lively limb of the body
stretches to hold tomorrow
(a lifetime or a birth
a tree or a seedling)
a simple breath of the night
warms our common neck.
(all
baby
all)
in waiting for the night to come
i will to do a thing
of loving, i guess
for loving i do.
in settling for a time to wait
i save to say a thing
of giving, i guess
and lying on my waiting day
i stay
to keep
a place for giving loving
i do
to you
open your eyes
(and smile)
and legs
darlingness
and
wide your mouth
kiss
white
quiet
arm my hand
and
hand my neck
and
body yourself
around my sleep
(shhhhh)
I
I want you
I want every breath I take to be
drawn
from the air around you
I want that air of yours to rest
in a cloud
around my hopeful shoulders
and to carry songs of me with it
while I wing in its way
I want my feet to dance –
as my heart
on sight of you –
on the soft sod of green
that is trust
and I want you always
II
always
is how you follow me
the day goes by,
but you –
you stay to
remind
by conception of you
that though I wait, I wait
for a purpose, and I come to you
on purpose, for you always
warm.
III
you warm me –
in my memory of
where I walked before,
in what I thought was good
company –
I took one warm step with you
and the shadow by me now is
no longer my own
nor are my thoughts
IV
had soft thoughts
before
generalities
but now my eye is often
sharp
and
leaves out the poetry of before –
a lonely tree
is no longer poetic
because
that tree is me
the clouded sky is
no longer friendly
because it hides
your face
and when I see a sky without you
I
fear.
V
I fear
because
I know
I know
that you have
been there
before and
I haven’t
but I’m glad
you took
me there
even
if
I was taken in
I’m glad I finally went somewhere
and because of the experience
I don’t care if somewhere is an
end
VI
but
if it must end
give
me a moment
give
me a moment
for
if will take a
thousand
to erase those
hours
that were our
moment
Flyover
From clouds to Sunday,
A week in change undone,
(To field, from none)
And there no new thing answers yet.
As works of one day,
The gift for us unknown,
(By that we’ve sown)
And here are saving new crops set.
Now gone to that way
A blade kept safe from use
(By earth not loose)
On those worries sharpens now.
Yet, asked, one may say,
In these there lies a ruse—
(That we may choose)
But no, it is through chance we plow.
Genealogy
Impossible depth of memory arrests me here
Near the top of volcanic ruins,
Interdicting descent
To the bottom of what’s gone, the core of what was.
I stand, instead, on the rim of knowing,
Inventing––and saving the invention––in the name of care.
Unanswered calls into the caverns’ void
No less echo discernibly,
Forcing re-focused noise
Across synapse and cerebral contemplation.
I hear––in quiet––leftover notions
Rearranging confusion, solidifying sound.
And still, it is not for me to know,
Not a certainty of mine,
But a floating responsibility
To look beyond seeing, to wait beyond living.
I feel the present caress of those not here,
Then reach to return their touch.
The Coming Generations
For those who could not sit still,
Whose small offering to posterity
Was buried beneath the glacier,
Between the mountains,
Before the running of the ice-blue fjord:
To them we lift salute
For choices that saved our lives,
Gave us home, and
Made us safe.
From where we could not see them,
Their inclination to prosperity
Lay dormant beyond an ocean,
Between the mountains
Before the running of the ice-blue fjord:
To them we lift salute
For chances they took for us,
Leaving home, and
Living hope.
The Leaving One
The goodbye ritual, we both know.
Don’t leave, one says.
Don’t make me go, says the other as a joke.
Tonight I’ll miss you.
Tonight, yes, but tomorrow and the next day and the next?
Almost.
Because I am in you and part of you when you’re here,
And your place in me takes the whole of my heart some days.
Sometimes it almost does, really.
So I notice me again when you go.
That’s good for about a minute.
You know I’ll be back, the leaving one says.
I know. Sure, says the other.
But I don’t really know, do I?
Planes fall down and cars crash.
Healthy people get sick and suddenly die.
But you won’t miss me on those middle days, will you?
You’ll fill your time with cleaning messes you’ve made,
The half-size meals you leave uneaten, poor thing.
I will.
But you’ll be embraced by strange places and voices.
They’ll hold the open space in your brain
Where daily we play together.
Except when it’s time to sleep, the leaving one says.
I’ll dream of chasing you in labyrinthine dreamscapes
Where you blithely ignore me
And the cats get in my way,
Always underfoot when I’m in a desperate hurry.
But you’ll wake up.
Yes.
And you’ll come home?
Yes.
And never leave me again?
We’ll see.
I Cuckold Goya at the Prado
nude composition deserves
no vulgar desire
nor exploitation of her
exposure
yet she requires pause
elicits guileless lust
she clutches privacy
with sweet regard for sensitivity
in voyeurs
yet she begs naïvely with her eyes
requiring affection
with no power to stop my gaze
she reclines
ceaselessly serene
shrouded in translucent innocence
taking her from the wall and into my arms
off her divan
scraping her from the canvas
and into my lap
i run from the guards and into solitude
to be nude with her
to be nude with her
at first she mocks my solicitude
flaunts her oily pigmentation
i wait for her to change
for me
i wait for her to change
to me
at last
when i finish
she returns my kiss
and cuddles us behind his back
I seek the thing unknown
The hiding piece
The partial mind
Take me and my crumbs remaining with you
We know only the part that’s past
Fear the thing unknown without the joy of
Counting good that’s passed
The thing unknown
The hiding piece
The partial mind
(With these languishing thought crumbs, quaff the rumination brew )
Review the piece that’s past
Tease the thing unknown
Words shedding light pass by us, sandwiched between layered shadows; they shine as brightly for the eyes of the curious that blink open, and the eyelids of the weary that droop.
A Title a Father Can’t Write
I’m a soldier, Daddy
Before that I was a golfer
And a Ninja.
Don’t forget skater-head, linebacker,
Fastball pitcher for the eight year-old Indians.
All that great equipment to play with
And those cool uniforms.
Watch-me-look-at-me-look-at-me-watch-me, Dad!
A son forever but a boy gone away,
Out of this safety––into the world of somebody-who-needs-him––
And I cannot say no.
Even if “no” is what got him this far,
Kept him safe for those kid years.
(No playing in traffic; no drugs, dammit, no talking back, no fighting)
No fighting!
Now in the real uniform
He’ll risk his neck for “greater good,”
Instead of stolen bases,
Before he begins his own way.
Thinking of all this on bright days,
When no clouds block edge of future view,
I’m sure he’ll be fine.
I Commit
In a room of life
And wall and brick and glass and shade
By a street of time
And curb and stripe and lamp and sound
For a pair of us
And on and with and now and soon
as I study the
butts of your cigarettes
and the imprint in
your chair
I still hear the silent
quake of my voice
that marked the evening
I have paused too long
on a point of ecstasy –
and have worked
to find the most
real joy enacted
and the most dear
moment unlived
Love Thoughts to Suicide Bombers at Heaven’s Door
Because of your promise
The promise we have together heard you utter
In solemn pledge to me
Among the seventy-two––
(Bless us and save us)
Because of your past sincere promise
I wait to see your face
Yet, through this haze of devotion around you
I can see that you know not how you are here
I neither know how I am dead
Nor why you seek my teenage skin in this realm.
I am sorry for your misunderstanding.
For I have read your spiritual visa,
Your pass into this beyond,
And learned your toll for entry:
One bomb, three fathers, and one granddaughter, among a busload of unguarded souls.
Why would I attend you?
Why do you suppose that my self and my sacred sweetness
Linger to be tasted by your ephemeral
Remains?
Remains that represent you in this nether haven?
Ask your still-living, old mentor that question now.
You killed yourself, thirty strangers
And two unwed girls like me.
They will not meet you in heaven, nor will I.
Your flesh-seeking manifestation repels my virgin spirit.
Again, I am sorry.
But let me be the first to say
Go to Hell.
Out of heads like yours and mine
Into the heads of gone away things
Far from the madding
Seconds
The rough pieces scratching us but eluding our desperate grasp
Lashing our torsos together, back to back
Strapping us to the bow of the ship
We don’t pilot
Waiting for the things that were anticipated
Back in days when nothing was ours, and nothing was deserved
Before the expectation
Before the rotating tragedies of other lives connected to ours––
Back to the happy pettiness of oblivion
The safety of dereliction in the shadows of ambition
Dreamed for us by others
Made fantasy by us
In spite of surrender to hiding
To hiding.
Now they see us
Storm
Let drift the light in place,
No day to end,
Allow the wind to shove,
Stroke not the skin
Devoid of texture, and soft.
Bring back the rain,
Let go the calm,
Let slack the rope of this,
Yes this, the ripping thing.
Don’t go.
Bring out the next
And drink the one in hand.
I’ll hold the spot below my feet, the better to dial the sun
When mist is gone, when waves subside, when grief begins.
Election
Under a wooden bridge of floating reason
We wade through mire
Not changed or lifted but mocked.
One swish annoys a gnat
And makes us rush and long
For nothing less than full reverse
To calm.
Up hills not ours we, never nearing sunlight,
Step unaware,
Scraping naked shins and thighs
Across the briared brush
So pricks bring specks of blood
From unprotected soles to waist
And ass.
Our Better Nature laughs to hear our crying
And looks away.
No memory reservoir,
The stream beneath the bridge
Still urges with its drift
And guides us, low, to selected
Remains.
First Person Vigil
Return not, O death in night foretold.
Let sleep, let be,
Unhand the body in care here laid
Inside this blanket of leaf and tear.
No power to thee;
No surge in power to stop this heart.
Be gone; stay gone;
Leave me.
Face God, and hearken to his case for me.
No claw, no fist, no knife
Into my flagging soul strike
Beneath the blanket of leaf and tear.
No power to thee;
No surge in power to stop this heart.
Be gone; stay gone;
Leave me.
Anniversary
A swish of hand from yours to mine,
such gift to me is fair.
In waking things and sleeping we
are wont to save it where
the flowered form in sunlit spot
removes us worlds away.
Then, with a cackling voice and clap,
our muse of mirth will say,
“Don’t stand and wait!
The table’s set for you.
Now sit and take your sustenance.
Your wine and napkin, too,
your senses sate.”
But for a while we play at rest
and move inside to woo
and lock all other places out,
the selves of us pursue.
When eyes are fogged and hearts alight
––and dark the candles takes––
our night will pull us to the bed
to taste of wedding cake.
Rollin’ in my Sweet Baby’s Arms
Scanning choices, each of us once turned to see
The other sitting still,
Minutes making hours.
This ‘now’ was not yet here.
How fun.
The ‘you’ that passed, left for ‘us’ and grew to be
A woman opened up,
One new self disclosed.
Passing time blended two.
How well.
We guess at unfound wonders, but turn to see––
Again unknowable––
Hours making days
Then tomorrow is now.
How swell.
Viewing Pride 2005
On the day we paraded in crowds over asphalt
The sideline voyeurs looked through us
Onto the opposite shore of curb and into the eyes
Of those who stood across.
For a few, we weren’t there but as a film
Of nobody-they-knew and thank God for that
But aren’t they funny, eccentric, queer, gay?
(Aren’t they free to us for the prying glimpse?)
For others we were the brave ones who walk,
Sticking out the chin of our vulnerability
Willing to take indignant visual slaps,
Anxious to take full-face grins and occasional kisses.
And some wanted us to stop and hand over what we had––
Not only beads and gum and more beads
But to hand over our brash disregard,
To spread on them our balm of acceptance.
So on we walked in sprinkling rain and clinging glitter,
Between the wheeled vehicles and in front of thumping speakers
Playing music only we know the words to––
Sounds in a code of life too private to explain.
But a life too musical not to sing its moods
And compel each singer to strain the voice,
To hurt the muscles of the neck with the effort
That lets loose the beauty, anguish, doubt and happy resignation
Of this life without choice that confines us, holds us
And releases us only fully to each other
Not even to ourselves because we know what we don’t deserve
When we sleep alone and no one can tell us our worth.
But when we marched, strutted, pranced, promenaded
And vogued our way down and between sidewalks of
Lovers, haters, hopers, deniers and dreamers
We found our friends where they were and held onto the minute.
Rock shadows on church walls
Result of sun’s insistence
Clues of coming darkness
Cuts of darkness on the walk
Causes of changing routes
Signs of losing ground
Bark pieces in ground and grass
A passing chunk of right now
A part of dying time
(Comes you to soak the sun, stroke the shadow, toss the bark
To sit me down to watch your play
To set me at my ease
To fill my holding back)
Red hopes in the falling back
Look of rolling day
Sleep of saving night
Over and done
Done over and within itself
The thing lives
Leaking intelligence and prospect
It takes its place in the walk at my side
Still able to pounce.
(Abjure confusion; pet the beast while he’ll let you)
His teeth sharpened with chewing
He holds my regret in his jaws
Whimpering
Fooling me as he slinks
(Put eyes to work in front of us; step over the cracks)
Unleashed guardian and tormentor
Follows closely pricks up his ears
Fazed
Pushes his body into mine
Behind the knees
(Look back, brace against his spine; hold the balance)
Unable to fall
I find my way ahead of myself
Wanting the next time
The next lost time
The next anytime
Away
Young friend, old man––new death
A dearth of notice here
No Willy Loman friend, no Charlie
To pick up your name and hold it above memorial acquaintances
To make its sound match memory
Oh, don’t go far.
Don’t leave my picture of congenial possibility
In this time
When into my room a stranger
comes quietly
And sits beside me in silence
to be near me,
I feel myself rise to gather
my history.
(For I summon
my all to meet myself
there, in that other one)
Because I know why a friendly
thought comes to me
And holds in a word the open,
side love in me,
I reach out my hand in gesture
from me to me.
(Now I celebrate
hope and see your face
here, in this simple one)
Twentieth Century Surrender
I
A girl with clear blue winter eyes
(and just a bit of guile)
A jaunty walk, a willing face, a pleasing, ready smile,
Is looking now for Christmas love
like that she once held dear,
The friends, the house, wide open space, and Grandpa living near,
And without all her winter stuff
(the blue sky over snow,
Icicles on her rooftop’s edge, the small church Christmas show),
Still she finds hope with loving looks,
and careful, giving touch,
And gathers up her own good gifts and gives the world so much.
II
When lifetimes are pressed
in the book of one day –
When worlds are found in an instant
of touch –
When sound finds its texture
in the giving by two –
I see you
III
I find that days are quickly
slow, these days –
That ways of looking around me
are made clear
By the changes in what I hear.
We see this place is warmly
cool, right here –
That moves to coming with us
are made new
By the chances in knowing you.
We give what things were openly
closed, these things –
Where songs of loving around me
will sound bright
By the knowing our holding’s right.
IV
a night of young solitude is passing
– a dawn is breaking in you
and in the haze of sunlight
we see the bright image
of the flowering you
the fading of shaded night
is softened by the golden
folds of a full and
pleasing cloud of yesterday
and we share a day
which breathes its fresh life
into us –
and awakens us to
unknown places within us
and, now,
the strength of tomorrow
is present
in the certainty of today’s
unformed––yet easily unfolded––
fabric of discovery
and we love what we find ––
and we find what we can keep ––
a small, gentle, lasting love
for friends
V
A new word is needed
when you call to this unseen
territory of completeness
– this silent awareness –
with a cry of “us”
A new eye is wanted
when you look, to this changed
face of knowledge
– this renewed expectancy –
with a smile of “now”
But there is no need or want of
any you which I don’t see
there is no absence or loss of
any dream which we can have
because
us by us, now by now
we grow
VI
How do we make this world stay
just as it is
now?
When does beginning become a lasting hour
just as we dream
always?
(the facets of this crystal
of time
are unlimited
in reflective power,
in number,
in color)
Make the world go away
sometimes
(for us)
sometimes
(forever)
VII
Taking time to see
(seeing more than I could have known)
that warm and bright light that (on a gray morning)
spills from your wide eyes,
a clear place in me is opened for you – to you
for a time
Giving time to hold
(giving more than I could have known)
that small and secret piece that (in a stolen day)
listens for your tickling voice,
a soft moment in you is begun for me – with me
for a time
VIII
A twelve month turn of time
has shown another one of us to me.
I could not have seen in your
blues,
The eyes of future love this sure.
But here it is
And here it grows.
While looking next to me
I saw another one of us in you.
You could not have known with your
words,
The thoughts of coming love as clear.
But here it is
And here we know.
Now hold it; touch it; save it; love it;
for we are the ones to keep it –
always
IX
the way
you take your place
when you walk in –
anywhere
the way
you laugh at nothing
and anything with no
hurt in your
heart
that you are glad
at any moment and
open to any
of me
And no fear of fun
X
this sweet frame of mind
finds me
(when I see you or don’t –
whether I touch you or not)
and changes the sensation of
the day
or the texture of the night,
and fills me.
this sweet face of yours
follows me
(when I look for you or don’t –
whether I call for you or not)
and smiles the words of
your heart
or the light of loving,
and changes me.
XI
How the passing of
one day changes you –
your smile ignites the
sunrise
your face reflects the
noonday sun
and – as your flourish –
the glow of sunset
and shade of evening
hold your heart
in a soft glove
of a sweet affection
and in each night’s
sleep, a new dream
describes tomorrow.
XII
Make no mistake
you never leave.
Be sure that I’m not the same
– that every new part you
have found will last
with you over my shoulder.
These changes have crystallized whole
places that were known only
in my fantasy hopes of
who I could be.
I’m more because of you.
Most of all. Know this –
I’m here.
XIII
All that I see in and behind your eyes –
Every sound and sight of you –
Every wish you have for me –
Every hope you have for yourself,
For these things I am happy every minute;
For these things I come back –
every day.
Like kittens who shield their eyes from the invasion of
(unwelcome but warm), glowing household lights,
We rest within ourselves to the peace of our own purrs.
Subject to pulse and rhythm,
The same rhythm with which we count beats unto dread,
Dread of the next hiss of discord, our joy also will wait awhile.
It waits awhile and looks us up again
(perhaps encountering at the coda),
The evening of our hopes
When the night which, of late, threatened,
Becomes a comforting passage to dawn.
The enlivening dawn is the gift of days,
Days which do not number, nor sing in tune within the small mind,
The small, resting mind
And heart
Of a sleeping cat.
When in the light of sky not seen
I sound the voice of noise not known
and speak to only that which moves
without my touch of gift,
you reach into the thinking part
and give up this unknowing heart
without a doubt,
without a pause,
and call me there to hear you start
your thought
and stop
in here
in me
You do.
Truth conventional unchained and recast becomes truth of me, malleable.
It rumbles in the head and wrenches the body
causing cerebral indigestion.
(These are the whines that try [wo]men’s souls.
The slimmer shoulder and the sunshine patriarch clutch, in this fray, shrunken by the service to verity [situational].)
All change is progress toward that which is immutably true, therefore change equals stagnation and revolution returns convention.
A gift unopened is perfect; a word unspoken is kept.
I spoke at length
With a young, fellow city-dweller collecting for his church
While standing outside a discount store.
I inquired about his church’s address and he gave a straight answer,
right enough;
I put a dollar in his can.
Convinced – at least a dollar’s worth – of the legitimacy of his cause,
I inquired further about his view of our mixed world, his and mine.
The dialogue was peaceful and informative.
But there was a sure undertow in the current running the gulf
between us.
He, a young black man with a mission to help his inner city youth,
Seemed to regard me with more sad acceptance than
distrust or disdain.
There was a palpable sense of the inevitable conflict ahead,
of undeniable blame belonging to my race for all past wrongs.
All words were said without animosity,
But this encounter felt less like a discussion than a
reconnaissance mission by scouts
From two populations doing blood battle.
Make a wing from a wish and fly into the next day;
Save a hand from a hammer and breathe relief.
A place is made for the transformed, the redeemed.
A prayer is raised for the heartened and the hurt.
That Fall will come is certain as that falling will come.
Riding, as we do, sometimes standing in the saddle,
Sometimes facing to the rear, astride a dumb horse
Among the colored leaves, looking about us,
Carefree;
Falls recur.
Christmas 1996
On Christmas Day in the morning, we rose,
And felt the white of cold,
And called the name of God,
Again, to know of the way that He chose,
And sleep in peace this night.
On Christmas Day in the playing, we slowed
To take each other’s eyes,
And held between our hands
A face which shown from a baby, and glowed,
And warmed us in the sight.
On Christmas Day in the ev’ning, we cried,
Then laughed to think it so,
And looked tomorrow down,
Not scared, to take the new day in stride
On sleigh, or camel: flight.
Christmas 2007
our round sounds bounce from wall to floor;
green limbs with hoped-for heavy snow
dress windows, seen or dreamed from inside;
old ways from fresh loves greet us
and
new gifts from gone friends arise from our talk
blue and white; white on blue
skies soft to rough; there to here
Christmas comes and stays
till our real grasp of what has gone strengthens;
till our trust of safe waiting returns, complete;
wrapping us, to be opened next year
home or gone
here or there
The price is high for being hard.
To hold, within, a narrow wrong
Costs us freedom to love and long
For truth in change, moving t’ward
The mending sought at living’s end.
And “change” means “wrong” to one who’s left
To mend alone, of peace bereft,
The place where changes caused to rend
The soul’s cloth cloak of colors warm,
Of fabric taut and soft and thin.
Yet mend we must, and do again,
With threads of truth, not stitched of harm.
That things can take a course not known
Is fear itself, and nothing saves
A life from inundating waves
Of chances, thrilling, altered, flown.
Dropping a tiny speck of change,
and turning to look behind me
The drop-off place where a new velocity charged my
unpowered flight is not a daunting sight
nor does it make me wish to mount again the safe cliff-top whence
I jumped
No worth in less than all, I claim,
For me to hear in this time wasted, but wild with query and
personal rage,
Benign to a fault.
(What truth has rage or riot unused in mind or spirit?)
I call for God to see, in my faulted facet (buff’d by
safety and apparent age, to shine for effect) usefulness despite the
character crack.
O, call us what we are, but what?
The name is clear, thus empty,
(Not th’ opaque and sure eternal plot)
To Him who calls the lasting shot.
(No waste, no fault, no rage, no shine
yet clear as one who is
and is
and is.
We are to Him as known
as He to us, full written on our souls.)
O song, in gone time, one time mine,
O catch my ear and ring again,
For us who were and had and saw
Our selves and waited in the line
To pick a purpose and forsook awe
To make a road and walk.
O find me where I stand to hear,
Thou untold tune, please sing and touch.
With melody you save my self,
And words and path become a brook,
Now moving, winding by itself,
To quench the thirst unknown
September 7, 1975
When memory rushes
and senses recall –
When the air is old
with the thought –
and I breathe you in –
Where sky clouds with
faces remembered
And feet of us enters –
A hall of mirrors attacks
the senses
And then all of me from
then
till
now
Calls into now, mercilessly.
if a pen really
really holds yesterday,
I would throw tomorrow
windy
but that the minute gone of my
24 hours is so
love heavy
that I can’t wait
for the coming
crushing
affection
Here’s a marshmallow
for
Hannah.
that’s a nice word –
marshmallow – I mean.
I’d like to be one – for her.
I already melt friendly
when I hear in a
memory corner –
“Don’t ever kiss me.”
Only Hannah can afford
to be hones.
I hope her tomorrow
man loves much –
he’ll never understand.
love packets –
filled with
hearts
and
heavenly pennies
morningtime –
singing my ears
away
and
swinging my eyes
to stay
or you –
coming one –
true and real
tomorrow
a wide-eyed
skylight
open on a sleeping lady
wept this rainy day
and
dropped wakefulness about the
room
but
nothing stirred,
and bed-sheets still
wrapped and rested –
yet that soft face did change,
for the resigned place next to
a heart
rains on her for love.
I’ve got a hole in my time where
I’m prepared to fly gladly –
But the gravity near the rim
Scares me a little – not because of contents,
But because there’s no backward passage?
I wonder if my beard will grow faster
Up there –
I wonder if my head will sit higher –
I guess that anyway
Only I can around
My bearded high head.
say the word
and I’ll smother
you with all that’s
of my thoughts in
permanence
say the word
and I’ll explode
into showers of
soft clouds
only for you
say the word for…
for…
For Whom?
ever
The weight of things leaving
pulls us down to earth –
in which things
rooted deeply there on
that which we’ve dropped
along the way.
the consistency of emotion
drives me past
words and expression
leaving the
nakedness of true feeling
I defeat my purpose
in an attempt to tell you
I’m at a loss for words
the fullness of experience
which floats in
a 3:00am fog
tells things to the grip of
the past
which I cannot reiterate
more clearly to your
well imprinted memory –
can I stick in
love here somewhere?
like a million times?
my tears burn with failure –
I’ll burn my pen
if it fails me now –
please – can you look
at me in your mind
of the past and know –
know that love is
smiled from that memory
I must – and can –
believe that you understand –
you’ve grown an x-ray
eye that only works
near me –
love me –
single out my self
in your growing-up
bonfire
love me –
I’ll always love you.
Can I feel for you
when you walk that way?
Should I assume blame for
your limp –
or should I,
since your defect is but
a product of my crooked eye
and my limbs pass as normal
to you
and adequate to me,
count my
God bless me?
I pulled out the old kite today
And tried to sky it on what
had been real
for the real
had driven by
and it had given
me a short lift
But that kite wouldn’t fly –
my big hands pulled it down
for my unsentimental mind
forgot
to wait for the wind.
For the soul’s profit of ages,
melancholy is bought by peace of mind –
and the Lord of Pain sits high
and smiles down with teeth of labor
on his few loyal subjects who sweat under
hig hand
for a kingdom translated to them
through his divine right.
in the cloudless calm
of starry day
I stir a breeze
in my own way
and bring you
home to me
in thoughts of green
for me
and while
for you
and some sunshine
owl watches
with a strange
daylight interest
as we embrace
(around the miles)
each other
this hideous game – with rules known by all
and felt by all – in aged or freshly carved
wound – a game few win –
you have known
its anger before
and I have
but I dish out painlessly what was once
mine –
a twisted heart writhing in pain unearned.
dearest in the wee small moments of infinity
are you
weakest am I in your presence
softest are your lighted
dark eyes
loudest is your whispered silence
give me your (dearest, weakest, softest, loudest)
moment
for a hand –
and I’ll give you all the somewhere
I own –
I gave my secret a way of sighing
and my love a way of looking
I spilled the break of my heart on a
way of loving
(I’ve known the flood in the wake of love
to drown my laughing
and days to follow on a method
of dying.)
In the harness again
I name my faces again
and mark my
steps carelessly
but the difference comes in the way of saying
her secret to the way of me –
electric.
in the glaze of a candle
lit
and the blaze of the faces
around
it
the simplicity of a
careful glance is
magnified
a partial smile will not suffice
yet the sincerity
of a blinking eye
is most faithfully
transmitted in semi-darkness
so let a smile be taken in perspective
but give the wink its weight ten times
baby-sitting with a corn stalk
(taking notes on ecstasy
and not making a helluva
lot of sense)
I was visited by
a vociferous beetle
so what.
well I guess those fritters are
(about done (now) it’s
been a hot and warm
oven, huh?)
journeying sentimentally
alimentarily
take this down.
take this ride on the reading
(down by the corn (patching) on
the boardwalk)
can be fine
if it has a kinder rhyme.
I never could take notes,
(make sense in a (hurry) on
over to the senseless side of
the tracks)
or laugh like
I like to(o).
There is pop in this corn
(however it is (talking)
in other words I’m
done now)
learning how
to hold a pencil.
this dark of space
between
you and your realization
pulls me to the blindness
that installs the fear of
no more light
no more waking
to gaze into your contacts
and beyond
but when I hold out my candle
and hear you fumble for a match
my being glows before the wick
the rainbows are coming
look at them
across a yellow field to
a wordless cadence
they glide
in step with the golden
blades.
Bending into an empty shape –
Winding down the caring habit –
Looking into an open day –
Giving out of simple answers –
Saving up a shared hope –
I wait for you,
And I don’t know your name.
a black harp
singing strains of blood
claims many masters,
but is welcomed by none
it plays the anthem
of a day whose sun
never comes
while throughout
eternity we pray for
some ambitious
beanstalk-climbing jack
to retrieve his
damned instrument
and take it back
to Hell.
ahead,
a red night-light speaks
hypnotically to the aimed green
and frames the innocent
who stumbles desperately
through the fog
trying to glimpse
the beacon’s holder
and he falls at my feet
where I stand,
guilty
as Hell.
does the marshmallow ever melt into manhood –
or does he merely grow to disgusting softness?
or does he resolve himself to be forked and roasted in indifference?
perhaps he is sliced up and mixed in the ordinary salad –
or swims in reproduction’s hot chocolate mess.
let him hope that he is eaten fresh from the package.
let him pray that he is the victim of concern’s gluttony –
that he is gobbled up by Impossible Dreams.
maybe then, barring a case of indigestion, he will approach the
melting point.
with the brush of a lip
or the sweep of a lash
an unerring mind
speaks itself in
no uncertain terms
in the whip of a branch
or spot of dew
a confident heart
sings itself in
assurance to its listeners
as suddenly as it speaks
so it grows still
till the studiers of
sense and sadness
realize the inescapability
The playwright of give and the
novelist of take
can’t even find a
poem they both like
For one
the time is out of joint
(but we know it is now) and the other
can’t think of what the scarlet letter
stands for
(but we know it is alone)
and so I’m given to word ramblings
of perhaps little sense
but that do lend
sanity to the mess made by the others
I invite you
then
with perhaps not
the
answer but my own
and a hand to help you find yours.
on the wings of a snow-white
alligator
the American flag flies at half
mind
and somewhere baby huey smiles
because ethyl stopped at ten.
and till the sky gives birth to virtue, peace of
ass
settles in the dwelling of all
self-respecting
politicians
a dog in shades
of black and opaque eyes – red
climbs the fence and swallows
the first bug in sight –
sideways.
he jumps a ditch and heads for a
cess pool – yellow.
I wear shades of – green
and miss the world about half
as it misses me – blue.
when the singular thought
is of one, I turn to me,
the home of myself for
the given way of my
name
the plans made in a
sigh are reversed in a
wink of the present state
I measure the length of
my laugh by the width
of your smile